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An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.

In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat.

There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.

There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.

While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required. For this reason burials included a number of statuettes named shabti , or later ushebti.

These statuettes were inscribed with a spell, also included in the Book of the Dead , requiring them to undertake any manual labour that might be the owner's duty in the afterlife.

The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.

Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.

If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell The deceased was led by the god Anubis into the presence of Osiris.

There, the dead person swore that he had not committed any sin from a list of 42 sins , [44] reciting a text known as the "Negative Confession".

Then the dead person's heart was weighed on a pair of scales, against the goddess Maat , who embodied truth and justice. Maat was often represented by an ostrich feather, the hieroglyphic sign for her name.

If the scales balanced, this meant the deceased had led a good life. Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".

This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content.

The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society.

For every "I have not John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure.

A Book of the Dead papyrus was produced to order by scribes. They were commissioned by people in preparation for their own funeral, or by the relatives of someone recently deceased.

They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver, [51] perhaps half the annual pay of a labourer.

In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials.

Most owners were men, and generally the vignettes included the owner's wife as well. Towards the beginning of the history of the Book of the Dead , there are roughly 10 copies belonging to men for every one for a woman.

The dimensions of a Book of the Dead could vary widely; the longest is 40m long while some are as short as 1m.

The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets.

The words peret em heru , or 'coming forth by day' sometimes appear on the reverse of the outer margin, perhaps acting as a label.

Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later.

The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs , most often from left to right, but also sometimes from right to left.

The hieroglyphs were in columns, which were separated by black lines — a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments.

Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus. From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script.

The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns often the column size corresponds to the size of the papyrus sheets of which a scroll is made up.

Occasionally a hieratic Book of the Dead contains captions in hieroglyphic. The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script.

Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep.

The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf.

Others contain only line drawings, or one simple illustration at the opening. Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together.

The existence of the Book of the Dead was known as early as the Middle Ages, well before its contents could be understood.

Since it was found in tombs, it was evidently a document of a religious nature, and this led to the widespread misapprehension that the Book of the Dead was the equivalent of a Bible or Qur'an.

In Karl Richard Lepsius published a translation of a manuscript dated to the Ptolemaic era and coined the name " Book of The Dead" das Todtenbuch.

He also introduced the spell numbering system which is still in use, identifying different spells. The work of E.

Wallis Budge , Birch's successor at the British Museum, is still in wide circulation — including both his hieroglyphic editions and his English translations of the Papyrus of Ani , though the latter are now considered inaccurate and out-of-date.

Allen and Raymond O. Orientverlag has released another series of related monographs, Totenbuchtexte , focused on analysis, synoptic comparison, and textual criticism.

Research work on the Book of the Dead has always posed technical difficulties thanks to the need to copy very long hieroglyphic texts.

Initially, these were copied out by hand, with the assistance either of tracing paper or a camera lucida.

In the midth century, hieroglyphic fonts became available and made lithographic reproduction of manuscripts more feasible. In the present day, hieroglyphics can be rendered in desktop publishing software and this, combined with digital print technology, means that the costs of publishing a Book of the Dead may be considerably reduced.

However, a very large amount of the source material in museums around the world remains unpublished. From Wikipedia, the free encyclopedia.

For other uses, see Book of the Dead disambiguation. List of Book of the Dead spells. The ancient Egyptian books of the afterlife. How to Read the Egyptian Book of the Dead.

To website updates, the newly released Super8Shorts. Also, huge thanks to German fan Niels Enkelmann, the screen-used axe has been identified and information added to the The Evil Dead Props page.

The audio player coding across a number of pages has been upgraded to HTML5, to give it better compatibility. It 'should' now work across most modern browsers.

Please note; We don't wish to tread on anyone's toes, simply to allow fans to listen to material they can't officially buy.

If there are still any copyright holders out there would rather their audio was not included here, please send over an email, and it'll be immediately removed.

Huge thanks to both Demonovation and DeusExMachina for loaning out their original source tapes, it's hugely appreciated!

If anyone else out there has any rare Evil Dead related material which they'd be prepared to loan out for digital transfer, please get it touch via email; Lastly, a personally made 1: There, in addition to Antonio's project, you'll find a detailed write-up of this new project, with extensive progress and completed model photos.

The project took fourteen weeks from start to finish, working a few hours most evenings after work. It's still some way off Antonio's standard, was tricker to make, and took much longer than originally anticipated, but the result is still a pretty decent model.

Just to add; I won't be making any duplicate models for sale, so don't ask! Expect them both to be added to the site in the next few weeks as they're completed.

Firstly, one new magazine scan has been added to the Magazines page in the Features section ; Starfix No. While it's a French language publication, it does have a number of previously unseen photos, and is well worth a look.

Although the quality isn't great, this will hopefully be upgraded soon scan thanks to Paul. This is primarily due to two related Evil Dead projects which have been eating up much of my spare time.

I wanted to make a better job of the transfer than I did with Demonovation's tapes in , so I bought an upgraded pro capture card.

The second Evil Dead project is a 1: It's taken a month so far, and will probably take one more before it's done. Expect that to be added to the site in the near future.

To site updates, one new entry has been added into the Fan Collections page ; the huge collection of Peter Eherer from Germany.

Thanks to him for taking the time to do this, and allowing his collections to be added. A few updates have been made to the The Rarest Collectables page within the Collectables section.

Huge thanks for Daniel Culligan's assistance in getting this. Tom still sells copies of both at conventions.

The finished item is truly astounding, and well worth it's own BookOfTheDead. This is not quite the case. The farmhouse was actually owned by friends of the Tapert family.

They apparently still get periodical checks to this day for allowing the filming there. A new page; The Rarest Collectables page has been added.

This page details a number of exceptionally rare items that serious Evil Dead collectors might want to track down for their collections. It does not cover more general collectables such as DVDs, Blu-Rays, soundtracks, books, toys, fanmade items and such, or completely one-off, screen used or custom made items.

Just items which would have been numerous enough at the time, and might pop up on eBay every few years you might want to watch out for. Huge thanks to both for taking the time to do this, and allowing their collections to be added.

Two updated photos have been added towards the bottom of the Webmaster's Collection page ; photos which show an overview of my personal Evil Dead display corner, both in daylight, and lit up at night.

Lastly, you might spot some little formatting tweaks here across the site, depending on the browser you use. This site was always designed for display through Firefox, but that has increasingly lead to some little formatting quirks when it was viewed through other browsers.

Unhelpfully, every browser displays things very slightly differently. With this site, it's nothing major, just spacing differences mainly.

That's with the exception of the music player plug-in, used on some of the Score pages. The JWPlayer plug-in used, has since become a paid product, so upgrading it and restoring functionality is a costly prospect.

To keep it simple, the existing player has been left as it is, and a little zipped MP3 download link has been added underneath each player section for those who can't listen to the audio, on the following pages; Super-8 Origins - Scores page , Within The Woods - Score page , The Evil Dead - Score page , and the Evil Dead II Score page.

Four new Japanese item scans have been added to the site. Not to be confused with Greg's footage, this behind the scenes camcorder raw footage seems to be taken from tapes shot by Vern Hyde and his effects crew, which leans towards more general on set footage, rather than special effects.

All the related weblinks in the links section have been checked, the fair number of broken ones removed, and a few new ones added in.

Lastly, some updates to Super8Shorts. The text at the bottom of the site has been edited to reflect that while the site will remain online permanently, it's unlikely that any further shorts will be released there in the immediate short term.

That may hopefully change down the line, but for the moment, it will stop at the two DVD sets currently available.

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